Rossini | The Barber of Seville

Il barbiere
di Siviglia

2011
Saturday October 22 | 7:30 p.m.
Tuesday, October 25 | 8:00 p.m.
Thursday, October 27 | 8:00 p.m.
Saturday, October 29 | 2:00 p.m.

Figaro here. Figaro there.
Figaro everywhere!


Rosina and the Count are in love,
but scheming, old Bartolo
has designs on his young ward.
Is Figaro clever enough to save the day?

Mischief and surprises
abound in this prequel to
The Marriage of Figaro.
Hear the famous Largo al Factotum,
Una voce poco fa, and the dizzying ensembles
in this evening of delight.
Start the season with a smile.

Rossini | The Barber of Seville

Il barbiere
di Siviglia

2011
Saturday October 22 | 7:30 p.m.
Tuesday, October 25 | 8:00 p.m.
Thursday, October 27 | 8:00 p.m.
Saturday, October 29 | 2:00 p.m.

ACT I. Seville, 1800s. At night, Count Almaviva brings a band of musicians to serenade Rosina, ward of Dr. Bartolo, who keeps the girl confined in his house. When Rosina fails to answer his song, the count pays the players, and they leave. At the sound of Figaro's voice, Almaviva steps away as the barber bounds in, boasting of his busy life as the neighbourhood factotum. Figaro, though currently in Bartolo's employ, encounters Almaviva and promises to help him win Rosina - for a suitable reward. No sooner has Bartolo left the house to arrange his own marriage with Rosina than Almaviva launches into a second serenade, calling himself "Lindoro," a poor creature who can offer only love. Figaro suggests Almaviva disguise himself as a drunken soldier billeted to Bartolo's house.

Alone in the house, Rosina muses on the voice that has touched her heart and resolves to outwit Bartolo. Figaro joins her, but they leave on hearing footsteps. Bartolo enters with the music master, Don Basilio, who tells him Almaviva is a rival for Rosina's hand and advises slandering the nobleman's reputation. Bartolo agrees, but Figaro overhears them. Warning Rosina that Bartolo plans to marry her himself the very next day, the barber promises to deliver a note she has written to "Lindoro." Rosina, alone with Bartolo, undergoes an interrogation, then listens to his boast that he is far too clever to be tricked. Berta, the housekeeper, answers violent knocking at the door, returning with Almaviva disguised as a drunken soldier in search of lodging. While arguing with Bartolo, Almaviva manages to slip a love letter to Rosina. But when Bartolo demands to see the letter, the girl substitutes a laundry list. Figaro dashes in to warn that their hubbub has attracted a crowd. Police arrive to silence the disturbance. As an officer is about to arrest him, Almaviva whispers his identity and is released. Rosina, Berta, Bartolo and Basilio are stupefied by everything that is happening.

ACT II. Bartolo receives a young music teacher, "Don Alonso" (again Almaviva in disguise), who claims to be a substitute for the ailing Basilio. Rosina enters, recognizes her suitor and begins her singing lesson as Bartolo dozes in his chair. Figaro arrives to shave the doctor and manages to steal the key to the balcony window. Basilio now comes in, looking the picture of health; bribed by Almaviva, he feigns illness and departs. Figaro shaves Bartolo while Almaviva and Rosina plan their elopement that night. They are overheard by the doctor, who drives Figaro and Almaviva from the house and Rosina to her room, then sends again for Basilio. Berta, unnerved by all the confusion, complains she is going mad. Bartolo dispatches Basilio for a notary, then tricks Rosina into believing "Lindoro" is really a flunky of Almaviva. After a thunderstorm, Almaviva arrives with Figaro and climbs through a balcony window to abduct Rosina. At first the girl rebuffs "Lindoro," but when he explains that he and Almaviva are one and the same, she falls into his arms. Figaro urges haste, but before they can leave, their ladder is taken away. Basilio enters with the notary. Though summoned to wed Rosina and Bartolo, the official marries her instead to Almaviva, who bribes Basilio. Rushing in too late, Bartolo finds the lovers already wed. When Almaviva allows him to keep Rosina's dowry, the old man accepts the situation.

Rossini | The Barber of Seville

Il barbiere
di Siviglia

2011
Saturday October 22 | 7:30 p.m.
Tuesday, October 25 | 8:00 p.m.
Thursday, October 27 | 8:00 p.m.
Saturday, October 29 | 2:00 p.m.

Stage Manager | Tiffany Fraser
Asst. Stage Manager | Jennifer McGillivray
Asst. Stage Manager | Dini Conte

Opera Hamilton Orchestra and Chorus

Cast subject to change without notice
Hugh Russell

Hugh Russell

Opera Hamilton Debut

The young Canadian baritone Hugh Russell has been consistently hailed for his beautiful voice, dramatic gifts and interpretive originality. The Victoria Times Colonist said, "Hugh Russell, singing and acting with easy assurance, does a bravura turn as Papageno. He is immensely entertaining as the bumpkin." Mr. Russell opened the 2010-2011 season with his UK debut as Virginio in Mercadante's Virginia at the Wexford Festival. Mr. Russell began the 2009–2010 season as Lescaut in performances of Manon for Angers-Nantes Opéra. He joined Atlanta Opera as Papageno in Die Zauberflöte. Mr. Russell began the 2008–2009 season as Dandini in La Cenerentola with Atlanta Opera, was heard as Belcore in L'elisir d'amore with Arizona Opera, and made his role debut as Papageno in Die Zauberflöte with Pacific Opera Victoria and Orchestra London. Mr. Russell began the 2007–2008 season singing Carmina Burana with the Toronto Symphony and sang further performances with the Houston Symphony, and The Philadelphia Orchestra at Verizon Hall. He was heard as Guglielmo in Così fan tutte with Boston Baroque and Eisenstein in Die Fledermaus with Arizona Opera. He also appeared with Vancouver Opera as Taddeo in L'italiana in Algeri.

Lauren Segal

Lauren Segal

Previous Opera Hamilton Appearances
Suzuki | Madama Butterfly (2009)
Orlovsky | Die Fledermaus (2009)

South African-Canadian mezzo-soprano Lauren Segal is quickly establishing herself as a young singer to watch. Critics praise her tone which "flows like heavy cream" (Winnipeg Free Press) Highlighted regularly during her time with the Canadian Opera Company Ensemble Studio, Ms. Segal honed as her craft as Siébel in Faust, Popova in Walton's The Bear, Third Lady in Mozart's The Magic Flute and Dritte Magd in Strauss' Elektra. She has since returned to the company as Aljeja in Janáček's From The House of The Dead, Sonya in Prokovief's War and Peace, Mercédès in Carmen, Nancy T'Sang in Nixon in China and Dryade in Ariadne auf Naxos. The singer is the only Canadian to participate in the inaugural Salzburg Festival Young Artist Project. Other performances this season will include the title role in Carmen with the Brott Music Festival, Rosina in Il Barbiere di Siviglia and appearances with the Aldeburgh Connection for their 30th Anniversary Gala and at The Venetian Ball celebrating the 150th Anniversary of the unification of Italy at the Four Seasons Center for the Performing Arts. In addition to her operatic and concert work, Ms. Segal has been involved in the film industry where her most recent work has resulted in a trilogy of short films produced by Acquamarina Productions. Lauren Segal is a two-time recipient of the Metropolitan Opera National Council Auditions Encouragement Awards. She holds a Master's of Science degree from the Department of Physics at the University of Toronto.

Edgar Ernesto Ramirez

Edgar Ernesto Ramirez

Opera Hamilton Debut

Mexican-American tenor Edgar Ernesto Ramírez is garnering rave reviews for his distinctive Italianate sound, his youthful exuberance, and for his expressive musicality. Upcoming engagements include Ramiro in LA CENERENTOLA with the Rossini in Wildbad Belcanto Opera Festival, and Nemorino in L'ELISIR D'AMORE with Opéra de Angers-Nantes. His recent operatic engagements include Nemorino in L'ELISIR D'AMORE and Alfredo in LA TRAVIATA, both with the Sarasota Opera. Ramírez is the First Place Winner of the Kahn Award Foundation, the Giulio Gari Foundation, The Performing Arts Foundation, the Léni Fé Bland Foundation, the Profant Foundation, and the ORCH Foundation. He has received awards from The Metropolitan Opera Council Auditions in Los Angeles, the Society of Singers Foundation and the New West Symphony Young Artist Prize. Born in Guadalajara, México, Edgar Ernesto Ramírez was accepted at the early age of fifteen to the University of Guadalajara, where he studied the clarinet.In 2003 Ramírez relocated to the United States and continued his studies as a tenor. He was a protégé of Baritone Sir Bruno Pola with whom he studied in Switzerland and he has trained with Coach Armen Guzelimian in Los Angeles. In 2008, Ramírez graduated from Boston University's Opera Institute under the guidance of Soprano Sharon Daniels.

Alexandre Sylvestre

Alexandre Sylvestre

Opera Hamilton Debut

A native of Québec, Alexandre Sylvestre studied at the Conservatoire de musique de Montréal where he successfully obtained the "Premier Prix avec Grande Distinction." In the 2010-2011 season, he appeared for L'Opéra de Montréal as Monterone in Rigoletto and Colline in La Bohème, and as Schaunard in Pacific Opera Victoria's production of the Puccini masterpiece. During the 2009-2010 season, he appeared with Nezet Seguin and Orchestre Metropolitain du Grand Montreal at the Lanaudiere, and was Betto in Gianni Schicchi, Sacristan in Tosca and Pietro in Simon Boccanegra , all for L'Opéra de Montréal. An Alumnus of Atelier Lyrique de l'Opéra de Montréal, Mr. Sylvestre made his official debut with Opéra de Montréal in 2005 in the roles of Zalzal and the Chief of Police in L’Étoile by Chabrier and was later invited to appear in the Opéra de Montréal's Gala in December 2006. His roles at the Conservatoire in Montréal were Count Almaviva in Le Nozze di Figaro, Paquiro in Les Goyescas and the title role in Gianni Schicchi. He has been awarded bursaries from ARAM, the Wilfrid-Pelletier Foundation, Jeunesses Musicales of Canada, was a winner at the Ottawa New Discoveries Auditions and received the Silver Medal in the vocal category of the Orchestre symphonique de Montréal Competition.

Giles Tomkins

Giles Tomkins

Opera Hamilton Debut

Bass-baritone Giles Tomkins is in demand as one of Canada's leading young singers, widely recognized for his vocal virtuosity and lyricism in an impressive range of repertoire. Mr. Tomkins' performances in the United Kingdom include King Arthur (Purcell) at the Aldeburgh Festival, Colline in a touring production of Puccini's La Bohème with Scottish Opera, and the European premiere of Queen of Puddings Music Theatre's production of The Midnight Court at the Royal Opera House, Covent Garden.

Recent operatic roles for Giles include Don Alfonso in Così fan Tutte at Tanglewood (conducted by James Levine), Don Basilio in Il Barbiere de Siviglia (Scottish Opera) directed by Sir Thomas Allen and Superintendent Budd in Britten's Albert Herring (Aldeburgh Festival). In Canada, Giles starred as Pedro in James Rolfe's opera Ines with Queen of Puddings Music Theatre, and has sung Colline (La Bohème) with Pacific Opera Victoria, Saskatoon Opera and Highlands Opera Studio, where he "received prolonged applause after his beautifully sung "Vecchia Zimarra" (Opera Canada).

Engagements in 2011/12 for Giles include the title role in Verdi's Oberto with Opera in Concert, The Dublin Messiah with Symphony Nova Scotia, Aldeburgh Connection's 25th Anniversary Concert and Colline in concert with Kingston Symphony Orchestra.

Wendy Hatala-Foley

Wendy Hatala-Foley

Previous Opera Hamilton Appearances:
Third Lady | The Magic Flute (2008)
Mamma Lucia | Cavalleria Rusticana (2011)

Wendy Hatala Foley has been enchanting Canadian audiences with her "magnificent voice" (Paula Citron, 96.3FM) and engaging performances. With a growing reputation as one of Canada's foremost mezzo-sopranos, Wendy's powerful voice and commanding stage presence continue to impress audiences nation-wide. During the 2009/2010 season, she covered the role of Death in the Canadian Opera Company's Le Rossignol. She sang a brilliant Messiah with the Orchestre symphonique de Longueuil under the baton of Marc David. She was invited to sing in Toronto Operetta's 25th Anniversary Jubilee Gala Concert. Ms. Hatala Foley enjoyed a busy season in 2008/2009 with engagements as the Third Lady in Mozart's Magic Flute with Opera Hamilton, Giunia in Mercadante's La Vestale with Opera in Concert, the Fairy Queen in Gilbert and Sullivan's Iolanthe with Toronto Operetta Theatre, Handel's Messiah with Chorus London and a concert of duets and arias with the Etobicoke Philharmonic Orchestra. Wendy has worked with many of Canada's finest conductors, including Jonathan Darlington, David Speers, Robert Cooper, Lydia Adams, Marc David, Gerald Fagan, Bruce Pullan, Marlin Wolfe, Matthew Larkin, Laura Thomas, Roberto DeClara, Jon van Liempt, Johann Lowersheimer, Owen Underhill, Leslie Uyeda, Darryl Nixon, and Clyde Mitchell.

James Levesque

James Levesque

Opera Hamilton Debut

Noted for his "expressive singing and acting abilities" (Opera Canada) baritone James Levesque has performed on both sides of the Atlantic with such conductors as Harry Bicket, Richard Egarr, Jean-Marie Zeitouni, and Raffi Armenian.

Recent roles include: Count Perrucchetto in Haydn's La Feldelta Premiatá (Opera in Concert); Achilla in Handel's Giulio Cesare (OIC); Mark in the world premiere of John Estacio's Frobisher (Calgary Opera, CBC), and the title role on Canadian tour; Tsar Alexander I in Prokofiev's War and Peace (Canadian Opera Company); First Priest in Mozart's Magic Flute (Calgary Opera); Marco in Puccini's Gianni Schicchi (Opera York); Balthazar in Menotti's Amahl and the Night Visitors (Choralis Camerata); the title role in Mozart's Don Giovanni and Count Almaviva in Mozart's Marriage of Figaro (Summer Opera Lyric Theatre); William Draper in the world premiere of Gary Kulesha's The Last Duel (University of Toronto's Opera Division).

Recent performances include: Handel's Messiah (Thunder Bay Symphony, Mississauga Choral Society, Vocal Horizons); the Greta Kraus Schubertiad (Aldeburgh Connection); Mozart's Vesperae solennes de Confessore (TBS); Offenbach Gala (Toronto Operetta Theatre); Mozart's Requiem (Pax Christi Chorale, MCS, Festival Chorus of Calgary); Duruflé's Requiem (Toronto Beach Chorale); Schubert's Winterreise and Die schöne Müllerin (Mountain View Connection); Haydn's Creation (Ottawa Valley Music Festival); Bach's Cantata BWV 201 (Bach Society); Haydn's The Seasons (Alyth Choral Society (London, UK)); Purcell's Fairy Queen (Aldeburgh Festival); Handel's L'Allegro, il penseroso ed il moderato (Snape Proms, Aldeburgh); Simon in Handel's Judas Maccabaeus (Ensemble TrypTych); John Beckwith's Great Lakes Suite (MCS); Saint-Saëns' Christmas Oratorio (FCC);

Brent Krysa

Brent Krysa

Previous Opera Hamilton Appearances:
Le Nozze di Figaro (2010)

Recipient of the Canada Council's Emerging Artist Award for Directors in Opera, Brent Krysa returns to Opera Hamilton's after last season's Le Nozze di Figaro. He remounted the Welsh National Opera's production of Otello for the Canadian Opera Company, and worked on over nineteen of their productions including Rigoletto, Carmen, Il Trovatore, Lady Macbeth of Mtsensk, Götterdämmerung, Cosí fan tutte, Le Nozze di Figaro, Simon Boccanegra, Louisa Miller, and Norma. He also directed, designed and adapted their school touring productions of Cinderella, Hansel and Gretel, The Magic Flute and, most recently, The Barber of Seville. In addition to operas from the regular repertory, he has directed pieces both early and obscure: Mahagonny Songspiel, Le Docteur Miracle, L'heure Espagnole for the Royal Conservatory of Music; Peri' Euridice (the first opera) and Cavalli's La Calisto for Opera McGill; La Foret Bleu for Wilfrid Laurier. He has been particularly hailed for his productions of Sondheim including: the Assassins (Montreal premiere), A Little Night Music, and Company all three which made the top-10 list of productions in the Montreal Gazette in their respective years. Other pieces include Sweeney Todd, the Secret Garden, and Candide. Brent has also worked as an Assistant Director The Welsh National Opera (Wales,) The Wexford Opera Festival (Ireland) Opera Centrum Netherlands and The Rossini Festival (Italy), The Lugo Festival (Italy) and The Twentieth Century Song Foundation (Netherlands), Vancouver Opera, Calgary Opera, Queen of Puddings Music Theatre, and The Banff Centre.

Gordon Gerrard

Gordon Gerrard

Previous Opera Hamilton Appearances:
Le Nozze di Figaro (2010)

Mr. Gerrard is quickly establishing a place among the new generation of Canada's exciting young musicians. He was the 2009 recipient of the Enbridge Arts Award for Emerging Artist in Calgary, and was recently nominated for the Heinz Unger Award for emerging Canadian conductors. This past fall, he was invited to compete in the prestigious Wigmore Hall International Song Competition in London. He has worked as Assistant Conductor for productions for Opera Lyra Ottawa, Repetiteur for Vancouver Opera, Associate Music Director for the Manhattan School of Music Undergraduate Opera Studio, Lecturer at Iowa State University, and has been a member of the music staff of the Canadian Vocal Arts Institute in Montréal. Other conducting credits include the European Music Academy in the Czech Republic, Music Director for the Halifax Summer Opera Workshop, and several projects for The Opera Project in Winnipeg and Vancouver.

Opera Ontario Sponsors Arcelor Mittal Dofasco Hamilton BMO Financial Group Turkstra Lumber RBC Emerging Artists Project Scotiabank Sun Life Financial - Season Supertitle Sponsor Steve Loates Music Gallery WISHART.NET Canadian Heritage - Patrimoine canadien The Ontario Trillium Foundation - La Foundation Trillium de l'Ontario Hamilton Community Foundation Opera.ca Ontario Arts Council - Conseil des Arts de l'Ontario Canada Council for the Arts - Council des Arts du Canada City of Hamilton Sheraton Hamilton Grant Thorton The Hamilton Spectator